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They gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style. "You Really Got Me", a Ray Davies song, influenced by American blues and the Kingsmen's version of "Louie Louie",[30][31] was recorded on 15 June 1964 at Pye Studios with a slower and more produced feel than the final single. [41] The group's fourth single, "All Day and All of the Night", another Ray Davies hard rock tune, was released three weeks later, reaching number two in the United Kingdom, and number seven in the United States. [120] Ray recovered from his illness as well as his depression, but throughout the remainder of the Kinks' theatrical incarnation the band's output remained uneven, and their already fading popularity declined even more. Jealous Guy (Elements Mix) - featuring Nicky Hopkins - YouTube [139][141][142] During the second half of 1983, Ray Davies started work on an ambitious solo film project, Return to Waterloo, about a London commuter who daydreams that he is a serial murderer. The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, mellotron, and horns, in albums such as Face to Face, Something Else by the Kinks, The Kinks Are the Village Green Preservation Society, and Arthur (Or the Decline and Fall of the British Empire), creating some of the most influential and important music of the period. "[48] Pete Townshend of the Who was particularly affected by the song: "'See My Friends' was the next time I pricked up my ears and thought, 'God, he's done it again. [6][80] Overall, however, the album's commercial performance was disappointing, prompting the Kinks to rush out a new single, "Autumn Almanac", in early October. [46] It has been reported that an incident when the band were taping Dick Clark's TV show Where the Action Is in 1965 led to the ban. [44][45] Avory responded by hitting Davies with his hi-hat stand, rendering him unconscious, before fleeing from the scene, fearing that he had killed his bandmate. [28] "Long Tall Sally" was released in February 1964, but despite the publicity efforts of the band's managers, the single was almost completely ignored. [111] "Celluloid Heroes" is a bittersweet rumination on dead and fading Hollywood stars (Mickey Rooney was still alive), in which the narrator declares that he wishes his life were like a movie "because celluloid heroes never feel any pain ... and celluloid heroes never really die. "Ray Quits Kinks". [44][45], Following a mid-year tour of the United States, the American Federation of Musicians refused permits for the group to appear in concerts there for the next four years, effectively cutting off the Kinks from the main market for rock music at the height of the British Invasion. It was incorporated into the title of an outstanding Hopkins instrumental performance ("Edward, the Mad Shirt Grinder") released on Shady Grove in December 1969. [169] Dave Davies subsequently confirmed that the Davies brothers had recorded four or five demos of new songs together for a potential concept album in 2016, but that they had both become too distracted by their respective solo work to complete the project. [98] Davies immediately called up John Dalton, who had replaced Quaife three years prior, and asked him to rejoin. [189], Artists influenced by the Kinks include punk rock groups such as the Ramones,[190] The Clash,[191] Blondie,[192] and The Jam,[193] heavy metal acts including Van Halen and Britpop groups such as Oasis, Blur and Pulp. [63], The Kinks' next single was a social commentary piece entitled "Dead End Street". [93] Although it sold only an estimated 100,000 copies worldwide on its initial release, it has since become the Kinks' best-selling original record. '"[50] The song's radical departure from popular music conventions proved unpopular with the band's American following—it hit number 11 in the UK, but stalled at number 111 in the US. Each has said that any reunion would be dependent on the other. I think [producer] Shel Talmy went too far in trying to keep in the rough edges. during their brief appearances",[86] commented Andy Miller. The band became an official five-piece in 1970, when keyboardist John Gosling joined them. [153] Meanwhile, former members John Gosling, John Dalton and Mick Avory had regrouped in 1994 and started performing on the oldies circuit along with guitar-player/singer Dave Clarke as the Kast Off Kinks. Get all the lyrics to songs by Nicky Hopkins and join the Genius community of music scholars to learn the meaning behind the lyrics. Original bass guitarist Pete Quaife was replaced by John Dalton in 1969. [4][152] The induction, however, did not revive the Kinks' stalled career. "I played it to Brian, who used to be our roadie, and his wife and two daughters. "[157], The band members subsequently focused on solo projects, and both Davies brothers released their own studio albums. [146], Between the completion of Return to Waterloo and Avory's departure, the band had begun work on Word of Mouth, their final Arista album, released in November 1984. [47], A stopover in Bombay, India, during the band's Australian and Asian tour had led Davies to write the song "See My Friends", released as a single in July 1965. Nine of their albums charted in the Top 40. [25], Around this period, the Ravens decided on a new, permanent name: the Kinks. [44] Tensions began to emerge within the band, expressed in incidents such as the on-stage fight between Avory and Dave Davies at the Capitol Theatre, Cardiff, Wales, on 19 May. [58] Before the release of The Kink Kontroversy, Ray Davies suffered a nervous and physical breakdown, caused by the pressures of touring, writing and ongoing legal squabbles. [111] The record featured the ballad "Celluloid Heroes" and the Caribbean-themed "Supersonic Rocket Ship", their last UK Top 20 hit for more than a decade. Nicky Hopkins (born Nicholas Christian Hopkins (February 24, 1944, Harlesden, North London – September 6, 1994 in Nashville, Tennessee, U.S.) was an English pianist and organist. "[86] At the end of June, the Kinks released the single "Days", which provided a minor, but only momentary, comeback for the group. [129] The record was a modest success, peaking at number 45 on the Billboard charts.[6][129]. [147] Many of the songs also appeared as solo recordings on Ray Davies' Return to Waterloo soundtrack album. [3] Hopkins returned for the sessions to play various keyboard instruments, including piano and harpsichord. [146] The old feud between Dave Davies and drummer Mick Avory also re-ignited. "Thank you for the days, Ray". With the encouragement of Arista's management they stripped back down to a five-man core group and were reborn as an arena rock band. Best known for his work with The Rolling Stones, Nicky Hopkins’ Blues-soaked piano figures also featured on the work of The Jeff Beck Group, The Who, The Steve Miller Band, Jefferson Airplane, Quicksilver Messenger Service and a host of others. "[196], A musical, Sunny Afternoon, based on the early life of Ray Davies and the formation of the Kinks, opened at the Hampstead Theatre in April 2014. [66], The Kinks' next single, "Waterloo Sunset", was released in May 1967. Now the record-biz legend steps out of the shadows and takes us on a tour from Ol' Blue Eyes to Red Hot Chili Peppers", "To Ray Davies, America is a 'beautiful but dangerous' place", "Dave Davies Returns to Little Green Street and talks about Dead End Street", "The Kinks' Ray Davies Serves Up Songs at the 'Working Man's Cafe, "London 2012 Olympics: The perfect stage for Ray Davies's Waterloo Sunset", "Arthur (Or the Decline and Fall of the British Empire)", "Lola Versus Powerman and the Moneygoround, Part One", "The Kinks Present Schoolboys In Disgrace", "The Kinks, "Father Christmas" "American Songwriter", "Original Kinks Bassist Pete Quaife Dead at 66", "Kinks reunion is 'down to Ray', says brother Dave Davies", "The Kinks' Dave Davies: 'I love my brother, I just can't stand to be with him, "We have questions – Ray Davies has answers", "Dave Davies talks 50 years of The Kinks, new disc before Musikfest Cafe show – Lehigh Valley Music Blog", "Watch the Kinks' Ray and Dave Davies Reunite Onstage", "ME AND RAY have not spoken about Kinks showS at all – although weRE TRYING TO WORK TOGETHER ON OTHER STUFF and have worked on music together", "Kinks' Dave Davies on New Solo LP, What's Standing in the Way of a Reunion", "Zombies bassist and former Kinks member Jim Rodford dies at 76", "Ray Davies: The Kinks are officially getting back together", NME: "Kinks keyboardist Ian Gibbons has died" 2 August 2019,, "Dave Davies on the 'New Beginning' That the 'Arthur' Album Presented for the Kinks", "Ray Davies checks in with update on how 'Project Kinks' is progressing",, New York Times: Ray Davies on 30 Years of Lola 1 Dec. 2020, "Hall of Fame Anniversary Rocks on With Second All-Star Night",, "VIDEO: Queen's Brian May picks his favourite riffs", "London's Hampstead Theatre to Offer World Premiere of Sunny Afternoon, Early Life Story of Singer-Songwriter Ray Davies", "The Kinks: Musical to tell Ray Davies' early life story", "Ray Davies musical to premiere at Hampstead Theatre", "Julien Temple to direct Kinks biopic You Really Got Me",,, Give the People What We Want: Songs of The Kinks,, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, John "The Baptist" Gosling – keyboards, piano, backing vocals, Gordon Edwards – keyboards, piano, backing vocals, Mark Haley – keyboards, piano, backing vocals, This page was last edited on 16 December 2020, at 13:31. Musicologist Eric Weisbard: "[Ray] Davies expanded the Kinks into a road troupe of perhaps a dozen costumed actors, singers and horn players. [9][42], The group opened 1965 with their first tour of Australia and New Zealand, with Manfred Mann and the Honeycombs. [153] One single, "Only a Dream", narrowly failed to reach the British chart. [173], In July 2019, keyboardist Ian Gibbons died of cancer. In 2018, after years of ruling out a reunion, Ray Davies and Dave Davies announced they were working to reform the Kinks. [155] The Kinks gave their last public performance in mid-1996,[156] and the group assembled for what would turn out to be their last time together at a party for Dave's 50th birthday. The Kinks were active for over three decades between 1964 and 1996, releasing 24 studio and 4 live albums. Longest-serving member Mick Avory (drums and percussion) was replaced by Bob Henrit, formerly of Argent, in 1984. I’ve also created a Nicky Hopkins’ Influences playlist on YouTube … [10] Four Kinks albums have been certified gold by the RIAA and the band have sold over 50 million records worldwide. Hal Leonard Corporation. Marten, Neville; Hudson, Jeff (2001). [163][164] In October that year, Dave Davies quashed rumours of a reunion, stating in an interview that although he loves his brother, "I just can't stand to be with him. [6][9][150] Songs like the ballad "Lost and Found" and "Working at the Factory" concerned blue-collar life on an assembly line, while the title track was an attack on the very MTV video culture from which the band had profited earlier in the decade. Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to his head. He played on the band's next two studio albums as well, and was involved on a number of their live BBC recordings before joining the Jeff Beck Group in 1968. The band's first single was a cover of the Little Richard song "Long Tall Sally". 128–129, "John Dalton: bass player in the Kinks – twice.". He pursued interests in subjects such as film, sketching, theatre and music, including jazz and blues. [116][119] With Ray Davies in a seemingly critical condition, plans were discussed for Dave to continue as frontman in a worst-case scenario. 'OH FOR Nicky Hopkins]' That was the cry from a desperate Pete Townshend as he struggled to play the piano while recording the Who's epic Tommy back in 1969. He was 'Sick up to here with it' ... and those that heard shook their heads. [6][136] To promote the album, the Kinks spent the end of 1981 and most of 1982 touring relentlessly,[4] and played multiple sell-out concerts throughout Australia, Japan, England and the US. [3][46] Although neither the Kinks nor the union revealed a specific reason for the ban, at the time it was widely attributed to their rowdy on-stage behaviour. [6][130] After its release and the recording of the follow-up, Misfits, Andy Pyle and keyboardist John Gosling left the group to work together on a separate project. 217–219. It was released in the US in December and was tipped as a potential "chart winner" by Billboard magazine. Nicky Hopkins Biography by John Dougan + Follow Artist. Andy Pyle was brought in to complete the sessions and to play on the subsequent tour. It reached number 41 in the US, the band's last entry into the Billboard Hot 100. [179]In a Dec. 1, 2020, interview with The New York Times, however, Ray Davies did not indicate that much work has been done, saying "I’d like to work with Dave again — if he’ll work with me.”[180]. [105] Recordings of both versions of "Lola" exist. [87], Village Green eventually morphed into their next album, The Kinks Are the Village Green Preservation Society, released in late 1968 in the UK. [71][72][73] Ray Davies denied this in his autobiography, and claimed in a 2008 interview, "It was a fantasy about my sister going off with her boyfriend to a new world and they were going to emigrate and go to another country. [172] Ray Davies was inspired to reform the band by a recent tour by The Rolling Stones, and had accumulated a backlog of songs he wanted to record with the band. [24] The group unsuccessfully auditioned for various record labels until early 1964, when Talmy secured them a contract with Pye Records. '"[26] Ray Davies' account conflicts with Wace's—he recalled that the name was coined by Larry Page, and referenced their "kinky" fashion sense. [111], In 1973, Ray Davies dived headlong into the theatrical style, beginning with the rock opera Preservation, a sprawling chronicle of social revolution, and a more ambitious outgrowth of the earlier Village Green Preservation Society ethos. "[83] "Days" reached number 12 in the United Kingdom and was a Top 20 hit in several other countries, but it did not chart in the United States. Really wonderful—like going to Waterloo and seeing the sunset. "[166] In a 2013 Skype interview Dave Davies expressed interest in doing reunion shows. [59] During his months of recuperation, he wrote several new songs and pondered the band's direction. Jim Keltner (drums): Nobody in the world ever played piano like Nicky Hopkins – the way he played chords. [194] Pete Townshend, guitarist with the Kinks' contemporaries The Who, credited Ray Davies with inventing "a new kind of poetry and a new kind of language for pop writing that influenced me from the very, very, very beginning. [9] In the UK, the group had seventeen Top 20 singles along with five Top 10 albums. $149.99 (TVsantora) Nicky Hopkins. While Hopkins had long been well known for his distinctive, melodic style on piano and Wurlitzer electric piano, the album provided a rare opportunity to hear him sing, unlike his earlier solo releases The Revolutionary Piano of Nicky Hopkins … The tour proved taxing and stressful—Pete Quaife recalled, "It was a chore, very dull, boring and straightforward ... We only did twenty minutes, but it used to drive me absolutely frantic, standing on stage and playing three notes over and over again. [4] Mick Avory and Pete Quaife were present for the award. [207][208][209] Their hit singles included three UK number-one singles, starting in 1964 with "You Really Got Me"; plus 18 Top 40 singles in the 1960s alone and further Top 40 hits in the 1970s and 1980s. It was filmed on Little Green Street, a small 18th-century lane in north London, located off Highgate Road in Kentish Town. [25] Avory had a background in jazz drumming and had played one gig with the fledgling Rolling Stones. In the 1990s, Britpop acts such as Blur and Oasis cited the band as a major influence. [52], —Dave Davies, interview with the Austin Chronicle, Recording began promptly on the group's next project, Kinda Kinks, starting the day after their return from the Asian tour. He thought the group was rather fun. Ray Davies, who was still on amiable terms with Avory, invited him to manage Konk Studios. [16][18], In late 1962, Ray Davies left home to study at Hornsey College of Art. [152][153] Following Mark Haley's departure after the band's sellout performance at the Royal Albert Hall, London, Gibbons rejoined the Kinks for a US tour. "[56], A significant stylistic shift in the Kinks' music became evident in late 1965, with the appearance of singles like "A Well Respected Man" and "Dedicated Follower of Fashion", as well as the band's third album, The Kink Kontroversy,[4] on which session musician Nicky Hopkins made his first appearance with the group on keyboards. [182], In April 1969 Davies helped negotiate an end to the American Federation of Musician ban on the group,[99] which allowed plans for a North American tour. In adopting the 'Kinks' as their name at that time, they were participating in a time-honoured pop ritual—fame through outrage. [44][45] After finishing the first song, "You Really Got Me", Davies insulted Avory and kicked over his drum set. [94], In early 1969, Quaife again told the band he was leaving. There were, "Everyone was panicking because 'Wonderboy' wasn't sounding like a hit record. [145] Another problem was the stormy end of the relationship between Ray Davies and Chrissie Hynde. [6] Their music was influenced by a wide range of genres, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. [9] In the UK, they have had seventeen Top 20 singles and five Top 10 albums. [130] The band returned to hard rock for Low Budget (1979), and continued to record within the genre throughout the remainder of their career,[3] however, they took a detour for pop music in the 1980s, which can be heard on almost all of their albums beginning with Give the People What They Want and continuing to their breakup. Nicky Hopkins Surname: Hopkins Thursday, February 24, 1944 Nicky Hopkins is the most famous person named Nicky. The lyrics describe two lovers passing over a bridge, with a melancholic observer reflecting on the couple, the Thames and Waterloo station. [9][147] Their first album for the new labels, Think Visual, released later that year, was a moderate success, peaking at number 81 on the Billboard albums chart. [161], Quaife, who had been receiving kidney dialysis for more than ten years, died on 23 June 2010, at the age of 66. The Kinks had five Top 10 singles on the US Billboard chart. [91][92] Though a commercial disappointment, Village Green (the project's original name was adopted as shorthand for the long album title) was embraced by the new underground rock press when it came out in January 1969 in the United States, where the Kinks began to acquire a reputation as a cult band. Dave Davies explained, "There's nothing in the pipeline yet, but ... we'll see. [167] On 18 December 2015, Ray Davies joined Dave Davies onstage at the Islington Assembly Hall in London to perform "You Really Got Me". [12][13], The Davies brothers were born in suburban North London on Huntingdon Road, East Finchley, the youngest and the only boys among their family's eight children. [105] Part of the song was hastily rerecorded by Ray Davies, with the offending line changed to the generic "cherry cola", although in concert the Kinks still used "Coca-Cola". Preorder Imagine The Ultimate Collection at Amazon Nicky Hopkins’ playing on ‘Jealous Guy’ is so melodic and beautiful that it still makes everyone cry, even now. [21] At the end of the spring term he left Hornsey College with a view to study film at the Central School of Art and Design, around this time the Quartet changed their name to the Ramrods. [110] It was named after Muswell Hill, where the Davies brothers were brought up, and contained songs focusing on working-class life and, again, the Davies' childhood. Their third single, the Ray Davies-penned "You Really Got Me",[4][5] became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. We're trying to get stuff together. I was with the Beatles the evening that they actually sat around listening to it on a gramophone, saying 'You know this guitar thing sounds like a sitar. [3] In an attempt to revive the group's commercial standing, the Kinks' management booked them on a month-long package tour for April, drawing the group away from the studio. Then he started making anti-British comments. [15] At home the brothers were immersed in a world of varied musical styles, from the music hall of their parents' generation to the jazz and early rock and roll their older sisters enjoyed. Numerous explanations of the name's genesis have been offered. [99] The group's management quickly made plans for a North American tour, to help restore their standing in the US pop music scene. Nicky Hopkins, … Each released an autobiography; Ray's X-Ray was published in early 1995, and Dave responded with his memoir Kink, published a year later. "The Kinks awarded gold disc for classic Village Green Preservation Society album". [44][45] To placate the police, Avory later claimed that it was part of a new act in which the band members would hurl their instruments at each other. The Leeds 1971 set can be heard on the Sticky Fingers deluxe version and the 1972 set can be heard on Ladies & Gentlemen.There are some great boots like Welcome To New York and Philadelphia Special.I've also listened a lot to Jerry Garcia Band 1975 shows where Nicky … [5][23] The fledgling group hired two managers, Grenville Collins and Robert Wace, and in late 1963 former pop singer Larry Page became their third manager. [144] Davies' commitment to writing, directing and scoring the new work caused tension in his relationship with his brother. American record producer Shel Talmy began working with the band, and the Beatles' promoter, Arthur Howes, was retained to schedule the Ravens' live shows. Pop music journalist Robert Christgau called it "the most beautiful song in the English language",[75] and AllMusic senior editor Stephen Thomas Erlewine cited it as "possibly the most beautiful song of the rock and roll era". "I decided I was going to use words more, and say things. The band did, however, manage to play a few major venues such as the Fillmore East and Whisky a Go Go. [152] Phobia managed only one week in the US Billboard chart at number 166;[6][152] as had by then become usual for the band, it made no impression in the UK. His … [188], The Kinks are regarded as one of the most influential rock acts of the 1960s and early 1970s. '"[117] Davies proceeded to try to announce that the Kinks were breaking up as the band were leaving the stage, but this attempt was foiled by the group's publicity management, who pulled the plug on the microphone system. ... Smoother and tighter than on record, Preservation live proved funnier as well. The Kinks Are the Village Green Preservation Society, Arthur (Or the Decline and Fall of the British Empire), Lola Versus Powerman and the Moneygoround, Part One, "The Kinks Frontman Ray Davies Reveals The Band Is Getting Back Together", "KTIC radio: Dave Davis working with Ray on Kinks project. Session keyboardist Nicky Hopkins accompanied the band in the studio for many of their recordings in the mid-to-late 1960s. [3][4][5][7], Early works included albums such as Face to Face (1966), Something Else (1967), The Kinks Are the Village Green Preservation Society (1968), Arthur (1969), Lola Versus Powerman (1970), and Muswell Hillbillies (1971), along with their accompanying singles. Despite the personnel changes, the popularity of the band's records and live shows continued to grow. "[190] Queen guitarist Brian May credited the band with planting "the seed which grew into riff-based music. It was a European sound rather than an Eastern sound but with a strong, legitimate Eastern influence which had its roots in European folk music. [154] The record drew respectable press but failed to chart in either the US or the UK. [210] Despite not selling at the time of its release,The Kinks Are The Village Green Preservation Society was awarded a gold disc in the UK in 2018 for selling more than 100,000 copies. [3][109], Before the end of 1971, the Kinks signed a five-album deal with RCA Records and received a million-dollar advance, which helped fund the construction of their own recording studio, Konk. "[195] Jon Savage wrote that The Kinks were an influence on late 1960s American psychedelic rock groups "like The Doors, Love and Jefferson Airplane". It was also known by its catalogue number "AFL1-3603" because of its cover art, which depicted Dave Davies as a leather-jacketed piece of price-scanning barcode. "Dave Davies – Of The Kinks". [9] The band then signed with Columbia Records and released the five-song EP Did Ya in 1991 which, despite being coupled with a new studio re-recording of the band's 1968 British hit "Days", failed to chart. 並木家の人々 CD: $21.63. The venues were largely cabarets and clubs; headlining was Peter Frampton's group The Herd. [205] The first two albums were differently released in UK and US partly due to difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due to the US albums including the hit singles, and the UK albums not; after The Kink Kontroversy in 1965 the albums were the same. The Tin Man Was a Dreamer is a studio album by English musician Nicky Hopkins, released in 1973 on Columbia Records. Nicky always sounded like he was in a cloud somewhere. [143][144] The film gave actor Tim Roth a significant early role. Hopkins … Nicky Hopkins (born Nicholas Christian Hopkins (February 24, 1944, Harlesden, North London – September 6, 1994 in Nashville, Tennessee, U.S.) was an English pianist and organist. It's still a work in progress. Retrieved 15 January 2020. [64] One of the group's first promotional music videos was produced for the song. The hard rock sound of Low Budget, released in 1979, helped make it the Kinks' second gold album and highest charting original album in the US, where it peaked at number 11. [153] In the same year, the band released the first version of the album To the Bone on their own Konk label in the UK. Their debut at a school dance was well received, which encouraged the group to play at local pubs and bars. The 1980 live album One For The Road was certified gold on 8 December 1980. [14] Their parents, Frederick and Annie Davies, moved the family to 6 Denmark Terrace, Fortis Green, in the neighbouring suburb of Muswell Hill. [6] The loud, distorted guitar riff and solo on "You Really Got Me"—played by Dave Davies and achieved by a slice he made in the speaker cone of his Elpico amplifier (referred to by the band as the "little green amp")—helped with the song's signature, gritty guitar sound. "[187] The Kinks' allegiance to English styles was strengthened by the ban placed on them by the American Federation of Musicians. When their second single, "You Still Want Me", failed to chart,[29] Pye Records threatened to annul the group's contract unless their third single was successful. Nine of their albums charted in the Top 40. [54][55][56] According to Ray Davies, the band was not completely satisfied with the final cuts,[55][56] but pressure from the record company meant that no time was available to correct flaws in the mix. Hopkins … In a Rolling Stone interview, Davies stated that, "We came up with a few songs and some lyrics and had a nice interaction. [100] The tour was generally unsuccessful, as the group struggled to find cooperative promoters and interested audiences; many of the scheduled concert dates were cancelled. [151] The Kinks followed Think Visual in 1987 with another live album, The Road, which was a mediocre commercial and critical performer. 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